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Showing posts from October 12, 2008

In Review--Sublime Crossover Classical Music

Lee Ritenour and Dave Grusin Ampora Decca Records I have never been a fan of Lee Ritenour's work and I associated it with smooth jazz. However, on Lee Ritenour (guitar) and Dave Grusin (piano) classical crossover album, Ampora , I am actually quite pleased with the music. I would even call it sublime. Musical guests include the folk singer James Taylor singing an early music folk song Since First I Saw Your Face , solo violinist Joshua Bell on Gabriel Faure's Pavane, Op. 50 and Antonio Carlos Jobim's Olha Maria (Ampora) , soprano Renee Fleming also on the pavane and George Frideric Handel's Duetto: Scherzano Sul Tuo Volto , which she performs with classical trumpeter Chris Botti. The recording starts off with nuevo tango that recalls the late Astor Piazzolla and continues with a suite of Latin American dances. This is followed by a pavane, then English folk songs, a Brazilian piece, Ravel's Ma Mere L'Oye (Mother Goose Suite) and ends with baroque music.

In Review--Beethoven Sonata Cycle Completed

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Andras Schiff Ludwig Van Beethoven The Piano Sonatas Volume VII (Sonatas opp. 90,101 and 106) ECM Records Andras Schiff Ludwig Van Beethoven The Piano Sonatas Volume VIII (Sonatas 109, 110 & 111) ECM Records Hungarian concert pianist Andras Schiff took on the great task of recording all of Beethoven's 32 piano sonatas in chronological order. The pianist completed the cycle with The Piano Sonatas Volume VII and Volume VIII . Now, while I did not travel the entire journey of the 32 sonata cycle (I only heard 5 of the 8 CDs), I still experienced quite an adventure. As you might imagine, Schiff embodied the Romantic Era composer since he was spending so much time with the sonatas and the composer. One read through the liner notes that accompany these recordings, reveals the deep and thoughtful, even heartfelt relationship that Schiff developed with Beethoven. He performs these sonatas from the inside out, which was something the late Canadian pianist Glenn Gould did

In Review--The Spirit of India

Gundecha Brothers and Pushparaj Koshti Temple Voices Sense World Music Pushparaj Koshti Surbahar Sense World Music The ancient vocal form Dhrupad seemed to be in slow terminal decline according to the liner notes for The Gundecha Brothers' latest recording, Temple Voices . Also in the liner notes, "The Gundecha Brothers are at the forefront of the revival in fortune that has overtaken the ancient vocal form, Dhrupad." It had fallen victim to the popularity of the Khayal tradition. Also from my understanding of it, Dhrupad had also suffered the reputation of being painfully slow, and one writer for The Rough Guide to World Music, Volume 2 had compared Dhrupad to watching paint dry. I actually appreciate this ancient Indian vocal style. Yes, it unfolds slowly, but for those with patience (which is not many these days), this gentle unfolding does pay off. The vocal fireworks that contributed to the popularity of the Khayal form are not present in the same regard.