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Showing posts from August 8, 2010

In review--Fantastico Fazioli!

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Benjamim Taubkin Piano Masters Series vol. I Adventure Music Fazioli pianos represent the Rolls Royce of keyboards. Designed and produced in Italy, this particular piano is out of the price range of non-millionaires. I had heard of Fazioli pianos, but never actually heard one until Benjamim Taubkin’s performance as part of Adventure Music’s Piano Master Series . As far as I can tell, a variety of pianists were set up in the Fazioli Studio in New York City and the results I’m certain will delight even the most discerning tastes. Marrying gifted pianist/composers with these gorgeous sounding instruments proves ingenuous. As a lover of pianos I have found great pleasure in immersing myself in Taubkin’s music. I feel spoiled by such pleasure. As I listened to the recording I thought that Taubkin must give himself goose bumps when he composes this ethereal music. I know I was feeling chills running up and down my spine while listening to this collection of songs. The melody that

In review--West African Praise Songs

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Carlou D Muzikr World Village It has been a long while since I’ve listened to Senegalese music and I’ll admit the bulk of West African music I’ve reviewed in the past 3 years has hailed from Mali. So when I popped Carlou D’s World Village debut, Muzikr into the player I was delighted to hear the kora shimmering around acoustic guitar and soaring vocals. I don’t know if Carlou is a descendent of the griot class, but he certainly plays the role of a griot (storyteller, messenger, educator…) on his recording. He wears his sentiments on his sleeve, not to mention his religious convictions. He’s the kind of guy you’d like to know musically and otherwise, coming across as a Bob Marley for a younger generation. This is the highest compliment I can give Carlou since I'm a fan of Bob Marley's music and integrity. I wasn’t sure at first what I was going to think of the recording. I thought it would be filled with Senegalese pop and hip-hop music, but it’s not. Strong melodie

In review--The Sound of 3

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Marcos Amorim Trio Portraits Adventure Music I reviewed Marcos Amorim Trio’s Revolving Landscapes in 2008 and I was impressed with the trio’s (Jorge Albuquerque-bass and Rafael Barata-drums) laidback approach. Shimmering cymbals recalled ocean waves while the bass anchored the guitars’ flights of fancy. Portraits which marks Amorim’s fourth album with Adventure Music, sounds more laidback than the previous recording. Again, the guitars (both electric and acoustic) set out exploring Brazilian jazz terrain while the bass and drums conjure images of Rio de Janeiro’s sumptuous beaches. Amorim has captivated the press with his compositions and performances. And certainly he possesses a rich imagination in the soundscapes he creates with his guitar. While you will hear guitar solos here and there, Amorim doesn’t come off as the flashy type, but a musician who prefers to integrate his guitars with the rhythm section. His style is as the press notes cite, “elegant and graceful,”